Know Your Place is out!

kyp 2 copy

I have an essay in a new book, published this week.

Know Your Place:  Essays on the Working Class has been in the works for a while. A collection of essays about working class culture and life, my contribution is concerned with the notion of invisible women, and a very specific group of such women.

The Housework Issue (The Other One) came from a short piece I wrote for the first issue of I Hope You Like Feminist Rants, published two years ago.  In it, I wrote about ‘invisible women’, those who work as cleaners, and how they are treated both within the work environment, and outside of it.

I wanted to explore the subject further, as I got such a positive initial response, so when Dead Ink Books put the call out for pitches in summer 2016, I thought it would be an ideal fit.

Luckily, Dead Ink felt the same way.

I’m very happy to have my work published alongside so many wonderful writers, who are listed here.

@cathbore

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My Folken talk

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I will be giving a talk on fiction writing at the next Folken gathering in Liverpool on 9th December. Pronounced Fol-ken (not Folk-en, that sounds a bit rude), which means “people”, the event aims to inspire and create networks and links for those who want to do something a little bit different in 2017.

It is free to get in, but you have to book here.

The Serving Library, 35 Water Street, Liverpool L2 0RD

6-9pm.

There will be wine!

In further news, I have a short story in Women’s Stories, Women’s Voices, a book published on 7th January 2017.

Read about my book reaching the second stage of the WriteNow novel writing competition, run by Penguin Random House, here

@cathbore

Loose women (and one man) in the library

I chaired very cheery writers’ event at Nantwich Library this week.

 

Authors Nikki Ashton, Caroline James, Victoria Johns, John Paul Goss and poet Helen Kay spoke about self-publishing vs traditional publishing, writing practices and revealed (more or less!) all.

The Nantwich librarians kept us sustained with chocolate digestives and shortbread (we managed to ‘force’ them down).  At the end, they said “tonight was like an episode of Loose Women”.  We’re taking that as a compliment!

I loved this sign on the library’s toilet door. As soon as I saw it, a full episode of Seinfeld ran through my head:

nantwich-loo

And the stairs had a Vertigo/Hitchcock vibe to them…

nantwich-stairs

 

I’m also on Instagram now, if you’d like to follow me on there.

@cathbore

You Promised

‘I’ll sing for you,’ you promise, but never do. Instead I get excuses and small talk, coy and cute in my ear.

‘Sing for me,’ I say. ‘You said you would.’

You blink and I wonder how your eyelashes manage to get so dark, your lips so dry, ones that peck me goodbye on the jaw, missing my mouth.

I roll on cooling bed sheets, damp flakes of skin sticking to me like static and take a sly lick of you from my leg. I suck each of my fingers, worming you out from under my nails. You are everywhere and I love it, I imagine you singing for me here and now. In my room, you, singing my song, and making it beautiful.

It doesn’t work. You’re not here. I sniff my arm. Your smell is gone and no crumbs of you garnish my bed. I have nothing of you, so I hum my song, and wish. I close my eyes and follow a ribbon of sound, hold onto it where it pulls me, over mountains and hills, round bends, down steep slopes and up. My calves hurt, stretched then shrinking as I climb, so I stop. I hear it, my song, faint and low. I sway under a navy sky. Night breezes brush my mouth. My lips swell.

I follow my song. I inch up a tree, your bark scratches my inner thighs raw but I shimmy up and up until I peer into a window. It’s you. You smile from behind thick glass, impenetrable, opaque, and sing my song, the one I love. You’re singing my song, as I asked, but you sing my song for her, and not for me, never me. Still, I settle and listen. It is beautiful, the song and you, exactly as I imagined.

First published in Landmarks, National Flash Fiction Day Anthology 2015.

Read “Good Manchester Rain” over at Flash Flood Journal 2016 here.

Rants, and flashes

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I Hope You Like Feminist Rants issue 2

It’s been a messy old week, what with the EU referendum, but a couple of nice things have happened to me. We need to cling onto whatever lovely things there are, I think.

Issue 2 of indie publication/zine I Hope You Like Feminist Rants, edited by Golden Boy author Abigail Tarttelin, came out on Friday. The theme for this issue is motherhood. I have Baby Love, an essay on non-motherhood, in it. You can buy Rants online, but if you are fortunate enough to live in Liverpool you will find it for sale in the News From Nowhere bookshop on Bold St, which is wonderful news.

Also, yesterday was National Flash Fiction Day. The annual Flash Flood Journal carries my short story Good Manchester Rain.  I’m glad I submitted this story, it’s quite European in nature – romantic, smutty, and with lots of rain. Like a European short film! You can read Good Manchester Rain here.

@cathbore

£2.50 is a lot of money when you’ve got sod all

IMG_20160613_171141[1]
Of all of this weekend’s charity shop swag, I am most proud of this

I was in a charity shop at the weekend, nothing new there. While I was on my knees (ditto) rifling through piles of books and records, a woman came in wanting to return a purchase.

Staff behind the counter were perfectly nice to her, but the shop’s policy is to issue credit notes and not cash refunds, and they told her so. This lady became very distressed, saying there was nothing in the shop she wanted and could she have the £2.50 please?

The answer was no, sadly. Shop policy is king.

The lady was vulnerable, I think. It’s not my place to judge, but the I reckon she fell firmly within the remit of the people the charity tries to help. She needed that £2.50 pretty badly. £2.50 is a lot of money when you’ve got sod all.

I “bought” her credit note from her, so she got her cash in the end (I was buying something anyway, I’m not fishing for compliments here) but I do think sometimes charity shops forget what they’re actually there for.

They raise money for their charity, yes – but they provide a service.

It’s all very well for the likes of me indulging in a cultural pick me up of a weekend, so I can smugly post up pictures on Facebook of nice things I’ve bought at pocket money prices, but in many cases charity shops are the only place where some people can afford to buy clothes, and the basics.

I honestly believe that in my community some wouldn’t have cutlery and plates to eat from, if charity shops weren’t around.

So yeah, I thought I’d get that one off my chest.

On a lighter note, I have a personal essay on fan fiction in Glasgow’s Fuck What You Love, out next month. It’s crowdfunded, and has exceeded the amount that editor Claire Biddles asked for by a fat margin, so that means there will be even more copies printed. (wahey to you, Glasgow)

@cathbore

Telly appearance, feminist rants, busy busy.

It’s only Tuesday and already this week is turning into a busy one for me.

In November last year I wrote a personal essay on the politics of cleaning, and housework. It’s not part of the “why don’t men and women do their equal share of household chores” debate because I think that’s discussed enough already, and very well. I wanted to explore our attitude to cleaners as paid employees, and how we view what is essentially physical labour, but from a feminist perspective. It was inspired by a Facebook conversation about memes like this:

housework

The essay is published this week in new feminist publication Rants, edited by the fabulous Abigail Tarttelin, author of the award winning YA novel Golden Boy. I’m so pleased to have my work alongside top class writers such as Shelley Harris and Kit de Waal in this zine, and I feel privileged to have my opinion in a publication that offers writers the opportunity to express a wide range of views. I find the current trend of no platforming dissenting voices very disturbing, and akin to censorship. Bravo Abigail for allowing us the opportunity to speak so freely and honestly.

rantz
Issue #1 of Rants.

(I spent my lunch hour today working out which of these bottoms most resembles my own)

You can buy Rants here.

Yesterday I was invited onto the sofa of 52%, a TV show here in Liverpool, hosted by the brilliant Claire Simmo.

52 photo

It’s a programme presented by women and it’s ace. We talked about women and food, entrepreneurism and home baking plus what’s trending, news wise. We spoke about the north west band Viola Beach (I wrote about them for The Guide) ; their deaths over the weekend marked a very sad day for the local music scene.

52% will be broadcast on Saturday in the Merseyside area on Bay TV, Freeview channel 8 at 7pm.

Today, a teeny snippet of the crime novel I’ve working on, is published over at Paragraph Planet:

Low

In addition to that, my interview with The Trouble with Goats and Sheep author Joanna Cannon is now online over at Urbanista, a preview to her appearance here in Liverpool next week.

@cathbore